GOETHE, Johann Wolfgang, Maxime şi reflecţii, în româneşte de Gheorghe GUÉNON, René, Domnia cantităţii şi semnele vremurilor, traducere de Florin. Efectele Televizorului Asupra Mintii Copilului. Uploaded by. zor_sv. Rene Guenon – Domnia Cantitatii Si Semnele Uploaded by. Artaud, Antonin, Teatrul şi dublul său, Cluj-Napoca, Editura Echinox, Guénon, René, Domnia cantităţii şi semnele vremurilor, Bucureşti, Editura.

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The orthodox patriarch himself has inexplicably the two front-facing snakes, coiled around his staff the crutch of the bishop. Monthly downloads Sorry, there are not enough data points to plot this chart.

Finally, there is a belief that alchemy is related to Gnosticism, the Kabala, but also to Masonry and the Rosicrucian practice. Science Logic and Mathematics. Later, it was suggested that this was only a legend, but in reality the alchemist would only have been working at his becoming. The stone carvers were keeping an archaic form of companionship cantitayii a traditional ritual with numerous references to the sacred and to the becoming of man, his apotheosis, a mysterious process which imposes that it be undertaken so long as the aspirer is still alive, therefore, while he has not definitively abandoned the world in which he has lived.

AHILE VERESCU: Alchemy and Masonry

Harry Oldmeadow – – Sophia Perennis. As a recognition of their traditional and initiatic status, in the operative Lodges of stonemasons, intellectuals of some mark began to enter, men of culture, high prelates.

The operative Masonry, of the Middle Ages, was that which carved assiduously the stone and built the cathedrals of the Occident, it was very close to the erudite and enlightened monks and, of course, had a form of its own, and enciphered, of profound, traditional sacralization. Graham Rooth – – Sussex Academic Press. In time, a veritable inflation of explanations and interpretations settled, thus attributing to the term an absolutely special poly-semantic relief.

From this perspective, art is understood as a work of creative and spiritual phenomenon, with a metaphysical foundation.

The father of all these seekers of the light was Hermes and their teaching, a set of beliefs which is not transmitted except in the formula of the initiation. Next, he identifies two types of encounter, and subsequently of representation: Operative Freemasons of those times, with their special doctrine of companionship, mutual help and glorification of labor decus in labore are, what we might call here, the parent-stock, the support on which modern Masonry was edified.


All the allegories, the domni which we today decipher in Masonry[9] seem to have been taken over from the alchemists. Like him, many other scientists, cultured men and wise men, members of the Royal Society, worked in the Masonic Lodges of that age. Edit this record Mark as duplicate Export citation Find it on Scholar Request removal from index Translate to english Revision history.

The rendering through words, through texts, of these unutterable truths, would determine us to have recourse to a solicitation of maximum intensity of the language to render the subtle semnwle. Spender – – Philosophy 17 Regarding these men, numerous legends, books and even some palpable results left over from their quests and the experiences they had undertaken have come down to us[10].

But evolution is not complete and probably in the future will be rediscovered and his ideas will form the basis of new insights on art, when the baroque, postmodern artifice will exhaust his possibilities of expression and fall to mannerism.

Of course, all these were intertwined with the secrets of the guild and with a certain interpretation of some specific tools[8]. From time to time, upon the death of the worshipful master, a fellowcraft became master we do not know how and, thus, take over the running of the lodge.

Find it on Scholar. His concerns are related to the role and significance of art in the traditional type civilizations China, India and the transformations undergone by European art.

He is interested in the act of creation that incorporates spiritual elements, which testifies to a certain tension between Spirit and Nature. Moreover, having a broader perspective than that required by a strict specialization, he knew the features that defined modern art in relation to art from other periods prehistoric or historic the diachronic perspective of hermeneutical approach.

That is why the messages about the sacred cannot be transmitted except by the utilization of analogies, symbols and rituals.

In our capacity as initiates, it is important to understand a simple thing: Argument November 13th, Istoric al religiilor [Mircea Eliade. This meant that in one single human body lay two instances, one feminine and the other masculine; the feminine part is connected semnrle the heart, the masculine to reason, intellect, like the caduceus of Hermes, with its two snakes intertwined around the central pillar, as Kabalists call it.

Shaykh Pallavicini, A Sufi Master’s Message: In Memoriam Rene Guenon – PhilPapers

In the same time he focused on the links between anamnesis and artistic creation, and also on the modern hypostasis of art-religion syncretism. Anca Manolescu – – Dilema Some of them have been translated, but too late to fit in the context of the time. This article has no associated abstract. Jean-Marc Vivenza – – Mercure Dauphinois. Etchegoin, M-F, Lenoir, F. History of Western Philosophy.


Free to know November 13th, The aesthetic knowledge is to be distinguished from the logical one, the one who search the truth by rational methods. No categories specified categorize this paper. All these have in common a subtle reference, through analogies, metaphors, parables…to a becoming of man, to a metamorphosis[4].

File:Guénon René Domnia cantităţii şi semnele vremurilor pdf – Monoskop

Thus, it is almost unanimously accepted that alchemy is: Enter the email cantitaiti you signed up with and we’ll email you a reset link. Curtea Veche, b. We use cookies to ensure that we give you the best experience on our domjia. These masons had also a special symbolism[7] and then, as signs of recognition, passwords and secrets.

Initial motivation for this approach was my surprise to the finding that Eliade’s ideas did not had a significant resonance among renowned theorists in the fields of aesthetics and art history. In one of his first books, Soliloquies Solilocvii,he states that man can experience the joy of creation, which repeats the original creation of God: Skip to main content.

His approach was simultaneously diachronic and synchronic, a feature of the hermeneutic method, and not an exclusively synchronic one, reductionistic and limited to the polemics aroused from nebula of modern art. The Egyptians, the Persians, the Phoenicians, the Jews, the Greeks and, later, the Romans and catnitatii Arabs rendezvoused in Alexandria, where they transmitted to one another each their esoteric teachings and, thus, shared the occult knowledge.

Art seen as a type of religious experience It should be noted at the outset that if we ignore the understanding of art as an aesthetic phenomenon implicit in the principles, methods and concepts of classical aestheticswe will find in almost every scientific paper written by Eliade references to the art phenomenon, regarded in conjunction with the religion.