Annette Kolodny quotes. Quote:”Dancing through the Minefield: Some Observations on the Theory, Practice, and Politics of a Feminist Literary Criticism” . Annette Kolodny. Dancing Through the Minefield: Some Observations on the Theory, practice, and Politics of a Feminist Literary Criticism. Kolodny’s theoretical. Dancing Through the Minefield: Some Observations on the Theory, Practice, and Politics of a Feminist Annette Kolodny – – Feminist Studies 14 (3)
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First, she writes, “literary history…is a fiction. If we are going to establish canon functions as a model, we have to forget our own.
Sign in Create an account. Although we may be moving forward in terms of feminist literary criticism, and considering the length of time that has passed since Kolodny wrote her article, it seems we still have a long way to go. She believes in greater recognition of female writers and concludes her paper by suggesting that although individual scholarly work in feminist criticism is appreciated, it is more valuable when its purpose is to improve the lives of women.
She retired from the University of Arizona in July and has continued an active professional life as a consultant in higher education policy issues and as a scholar of American literature and culture.
Her books have won many awards both in the United States and abroad.
Request removal from index. Kolodny suggests that male writers will be good readers if they tried to read works written by women. Her final assertion, that individual scholarly work in feminist criticism, while to some degree intrinsically valuable, is most worthwhile and worthy when it is in service of the goal of improving the lives of all women, underscores one of my most fervently held beliefs: Turning the Lens on “The Panther Captivity”: Male writers will be better readers if they read works written by women.
It embodied, as well as upheld, the dominant ideology of the time, and had implications beyond aesthetic values. While Kolodny is specifically speaking of feminist literary criticism, I think that all critics can learn from her elevation of truth and mutual understanding over any one particular ideology or strain of an ideology.
She outlines a number of changes which can be made to improve conditions and, realizing that any substantial change will require equally substantial money, encourages government reinvestment in higher education.
Views Read Edit View history. Patterson states that “despite its language and intent, [the essay]…represents classistwhite, and heterosexist attitudes which are common in feminist literary criticism and which contradict the best of feminist thought and the aims of the women’s movement” Patterson, No keywords specified fix it.
ENGL PAB#1: On Annette Kolodny, “Dancing through the Minefield” | A. Lorean Hartness
Examples of this would include liberal feminismsocialist feminism mineifeld, and ecofeminism. I find it difficult to create a summary of this excerpt; I found so much that was enjoyable and noteworthy in it that I fear my summary may be longer than the excerpt itself.
Literary history is a fiction. You are commenting using your Twitter account.
Annette Kolodny – “Dancing Through the Minefield” | literary theory dance party
The Nineteenth Century”, examines the dual images of Mother and Mistress in the land, as well as the frustration of the pastoral impulse with the closing of the American frontier and the victory of the industrialized North in the American Civil War.
In light of the social constructionist view that aesthetic values, as assigned to the literary canon, are in xnnette the products of social conventions and values, Kolodny claims that feminist criticism should “discover how aesthetic value is assigned in the first place” Kolodny and then assess the socially-constructed reading patterns that lead to those value judgements.
Fill in your details below or click an icon to log in: Like their husbands and fathers, women annete shared in economic motives behind emigration ; and like the men, women also dreamed of transforming the wilderness.
What makes any text exciting is when the text gives us the ability to relearn and refine it.
ENGL 810: PAB#1: On Annette Kolodny, “Dancing through the Minefield”
Over the course of her scholarly career, Kolodny has received grants and fellowships from the National Endowment for the Humanities, the Ford Foundation, the Guggenheim Foundation, the Rockefeller Humanities Fellowship, and others. Lynda Zwinger – – Hypatia kolodnny 2: Literary history and with that, the historicity of literature is a fiction.
When we read any text, our desires as a female readers enable us to alter and extend what we read.
In other words, our history. Of these, “Dancing Through the Minefield” is the most well-known, and has been called “the most reprinted essay of American feminist literary criticism”. Pluralism and the Theory of Women’s Studies. She insists, however, that she is not suggesting anything must go, simply that more women should be added. Since the grounds upon which we assign aesthetic value to texts are never infallible, unchangeable, or universal, we must re-examine not only our aesthetics but, as well, the inherent biases and assumptions informing the critical methods which in part shape our aesthetic responses.
Feminist Criticism in the Wilderness. Morgan – – Critical Inquiry 2 4: